The “City of Midas” occupies a vast plateau
in Central Anatolia close to modern Afyon and Eskisehir. Strange rock
formations shaped in ancient times into monumental rock facades and
unexplainable stairways and tunnels create a sense of mystery as if dominated
by some kind of supernatural power. This is a place of power, where one truly
feels the pulse of the Earth in a place which has been since time immemorial
the sacred centre of Anatolia. In modern times, the plateau of Midas has been called
“Yazilikaya”, which means the “inscribed rocks” – a very appropriate
name indeed –
The “City of Midas” is by no means a city in
the classical sense. It is a city of the Gods and spirits, not the dwelling
place of ordinary people. There are no
houses nor buildings whatsoever. Even though the “City of Midas” is often called a fortress, there is not even a
strip of wall to justify such a claim.
Everything
there is made of rock and cut into the living rock, as if the rock itself was
home to some kind of divine beings. As in Peru’s famous Marcahuasi plateau, odd
rock formations take the shape of monstrous beasts and human forms.
The most
famous monument is the so called “Tomb of Midas”: even from a short inspection
it is however clear it was never a tomb. The monument takes the shape of a
giant rock-cut façade measuring over 16 meters in width and some 20 meters in
height. There is a large portal in the façade, which however terminates in a
false door which has been partly destroyed by robbers looking for some hidden
treasures or chambers. This was most likely a doorway to the spirit world,
bearing a close resemblance to other similar monuments in other parts of the
world, most notably the famous Peruvian gateway of Aramu Muru close to lake Titicaca (which we also visited in 2007).
A large, yet undeciphered
inscription occupies the top portion of the monument, where one clearly reads
the name of Midas. It is not clear whether this Midas is the same as the
legendary king of the Phrygians which is otherwise supposed to be buried in a
large tumulus near Gordion. The inscription, in Phrygian alphabet, closely
resembles the ancient Etruscan and runic writings.
The decoration of the façade is a
very simple, yet strikingly beautiful geometric pattern made of crosses,
triangles and squares. This is an extremely refined composition, which sharply
contrasts with the otherwise crude character of Phrygian figurative rock
sculpture.
There is also an unfinished
monument, very similar to Midas’, located a few hundreds meters from the main
monument on the same rock cliff.
When reaching
the top of the “acropolis”, one finds
the most unexplainable features of Midas. There are hundreds of meters of
stairways cut into the rock and leading nowhere or deep into the Earth, giant
stepped altars and thrones. These stairways were clearly intended as ceremonial
pathways, and one can sometimes find the fainted remains of reliefs and
depictions of pilgrims and robed figures carved into the rock in a very crude
and archaic style which is likely
Hittite or pre-Hittite.
Some of these
stairways end abruptly on the edge of a cliff, or simply lead nowhere stopping
in front of inaccessible rock walls and crevasses. But there are also stairways
leading to tunnels deep into the ground of the plateau: these tunnels are of
extremely accurate workmanship and have a vaulted ceiling similar to Hittite
gateways and tunnels one also finds in Bogazkoy-Hattusas. In some cases these tunnels intersect at vast
underground chambers which, though often called “cisterns” or “underground
reservoirs” were surely never used as such. Unfortunately the extensive
deposits which have accumulated on the bottom of the tunnels and chambers do
not allow to find where they ultimately lead or whether they were intended to
serve some other yet unknown purpose.
Turkey is a place of many
underground cities, so I will not be surprised if the “City of the Gods” of
Midas was in fact another underground city which could only be reached by way
of these monumental dwindling tunnels. Phrygians believed their Gods lived deep
beneath their mountains: perhaps Midas was held as the original homeland of the
Phrygian people and of their national Goddess Cybele whose name literally means “Mother of the Mountain”.
Around Midas’ mysterious city
extends the sacred heartland of the Phrygian empire, in the so called “Phrygian
valley”: there hundreds of rock-cut chambers, tombs, altars and stairways
create one of the most elaborate ceremonial landscapes in the ancient world.
This was clearly intended as a sacred and ceremonial space, which was as such
deliberately avoided by permanent human settlement.
In some places, like at Aslantaş
and Yazilikaya-Midas itself, one has the feeling that some obscure, yet
devastating cataclysm ravaged the entire region turning it into a kind of
barren and lunar landscape. Giant crevasses opened into the ground, collapsed
stairways and tunnels are all evidence of sudden destruction and impending
catastrophe. In Aslantaş one wonders at the powerful force of nature that
cracked the rocks and made a ruin of the giant rock cut monuments and
sanctuaries…
The city of
Midas is conventionally dated to the VIII to VII Century B.C., but it may be of
any antiquity. The style is somehow reminiscent of pre-Hittite and bronze age
construction, but there are also elements such as rock cuts and cup marks which
are mostly found in Neolithic sites. Also, when one considers the level of
erosion on the facades and the badly eroded rock formations one can only guess
at the real age of this mysterious monument…
Midas City - The facadeof Midas' monument as it looks now, completely covered by modern scaffolding - (Photo by Author) |
Midas City - the "small Yazilikaya", a Phrygian unfinished monument located a few hundred meters from Midas' monument and also shaped as a giant rock-cut portal- (Photo by Author) |
Midas City - Various views of the rocky and barren countryside sorrounding the plateau - (Photo by Author) |
Phrygian Valley - located close to Aslantas rock tomb, these giant collapsed stones are the sole remains of a vast rock-cut santuary as if destroyed by some kind of cataclysm or sudden catastrophe |
Kumbet (Phrygian Valley) - Near the hilltop village of Kumbet one finds several rock-cut structures, including a monumental Phrygian tomb facade depicting lions and eagles - (Photo by Author) |
bellissimi
ReplyDeleteWow!
ReplyDeleteJust Wow!
Thanks!
Hello,
ReplyDeleteI don't know why the blog templates or words (I don't know what they're supposed to be called) are in Italian. ?
Anyway, the last image shows a triangle, with dentile carving.
Would you explain to me how you came to the conclusion that the stones of the Incan temple are vitrified, please?
Thank you.
Ancient modern art, mostly focusing on the controversial post stone impressionistic era.
ReplyDeletePhrygian people was just another tribe OfSerbian people in ancient times. That was just one part of territory thay lived in. There are monuments written in old Serbian language in today Turkey
ReplyDelete